Wednesday, 28 October 2020

Horror Film (2020) Review #11


The Turning is based on the novella by Henry James called ‘The Turn of the Screw’, published in 1898.  The story has been adapted multiple times in its 200+ years, this includes ballet and opera, and has inspired other gothic pieces of storytelling, like Guillermo Del Toro’s Crimson Peak.   
In 1961, a movie starring Deborah Kerr titled ‘The Innocents’ was more of a psychological horror in comparison to this film and was more clearly defining of the adaptation to James’s work.   There is apparently an alternative ending to the Turning , that has Kate (Mackenzie Davis) fleeing with the children,  with Miles (Finn Wolfhard) unable to shake his possession of the spirit of Peter Quint, and the film would leave us with the cliffhanger of him being  over taken.


The Premise: Jessel the children’s Governess flees the estate one night, and appears to be captured by Quint the grounds keeper.  Some time has passed and new hire Kate Mandell quits her teaching job to become a private tutor to a wealthy young heiress’ Flora who had witnessed her parent’s tragic death years prior.  Before she arrives, Kate stops to say goodbye to her mother who has been placed in a care facility, and appears to be suffering from some form of mental deterioration, we learn her mother has a passion to pastel drawings. Soon after her arrival to the estate Kate meets Miles, Flora’s older brother who has unexpectedly returned from boarding school. As the film progresses, Kate as trouble connecting with Miles and finds the children becoming more distant as strange images begin to plague the estate’s dark corridors and pools.

The Turning was released in theaters at the beginning of January 2020, with mainly under whelming reviews by critics and audiences, as its conclusion was left very open ended. Directed by Floria Sigismondi who is known for directing music performance videos, has directed a few episodic television shows including The Handmaid’s Tale, American Gods, and an Episode of Marvel Netflix’s Daredevil.  The goal of the ending was to leave the audiences to draw their own conclusion, if there were spirits plaguing Kate and the Children, or was Kate losing her mind, as a predisposed inheritance from her mother’s degenerating condition.  The film also sets up an unreliable time frame, on how much of what we are seeing is taking place or if any  at all, as to show intent of reality is caving inward.
The story has over a dozen film adaptations, Director Mike Flanagan who completed the Haunting of Hill House Season on Netflix, is in the process of a second season called The Haunting of Bly Manor, which has direct connection to the Novella as being the backbone to the series.   Films like ‘The Others’ and In a DarkPlace’, as well as having the same title ‘The Turn of the Screw’ has been made into a film and tele-film,  All sharing a similarity of atmosphere and connection of losing one’s mind or being haunted by  ghosts.  This film is different from all pre-existing creations as nothing is presented on screen to warrant  its conclusion. The acting by all three primary characters are stellar as they hold our attention, but half way through the film you begin to feel that this film is not going anywhere in its plot, once you discover and explore the environment, the film loses traction and then the film really stops to a stand still and leaves the rest to your own imagination.  

David Cronenberg ‘s history of violence had an abrupt stop, but the film was fully fleshed out  for the audience to be invested and make their own conclusion, The final moments of the Sopranos , leaves the audience bewildered, but  dialogue given in the initial season of what is taking place fills in the gap of the show’s finale, as the film comes full circle and the audience can draw a definitive conclusion.  The Turning will be a bench mark, and a head scratcher, as solid acting, beautiful composition in cinematography, but lacking a plausible direction of its deliberate ambiguity. There is nothing in three quarters of the movie to suggest the sudden dramatic shift, unless the beverage Kate ingested altered her reality the day her mother’s letter arrived.

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